Steven holl : heart / ,Steven Holl, Holger Reenberg and Juhani Pallasmaa.

By: Holl, StevenContributor(s): Reenberg, Holger | Pallasmaa, JuhaniPublisher: Germany Hatje Cantz, 2010Edition: Mul edDescription: 96 p. ; ill;. 27 cmISBN: 3775724931 (hardcover); 9783775724937 (hardcover)Subject(s): Herning kunstmuseum | Art museums -- Design and construction | Buildings | Museums -- -Design and constructionDDC classification: 721 Online resources: Amazon.com Summary: The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by renowned American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. In 1960, shirt-factory owner Aage Damgaard invited Manzoni to Herning, and the industrialist's passion for contemporary art gave rise to a visionary model for cooperation between businesses and artists that ultimately led to the establishment of a new museum. As detailed in this richly illustrated book, Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story building itself, with its natural light and innovative roof construction, refers to the formal vocabulary of the 1960s factory opposite. In reference to its origins, an overhead view of the museum recalls outstretched shirtsleeves while the facade resembles wrinkled fabric.
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Item type Current location Home library Call number Status Date due Barcode Item holds
Book Book School of Art Design and Architecture (SADA)
School of Art Design and Architecture (SADA)
721 HOL 2010 (Browse shelf) Available SADA0000257
Total holds: 0

The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by renowned American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. In 1960, shirt-factory owner Aage Damgaard invited Manzoni to Herning, and the industrialist's passion for contemporary art gave rise to a visionary model for cooperation between businesses and artists that ultimately led to the establishment of a new museum. As detailed in this richly illustrated book, Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story building itself, with its natural light and innovative roof construction, refers to the formal vocabulary of the 1960s factory opposite. In reference to its origins, an overhead view of the museum recalls outstretched shirtsleeves while the facade resembles wrinkled fabric.

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