Albert speer : architecture 1932-1942 / Leon Krier, Robert A. M. Stern.

By: Krier, LeonContributor(s): Stern, Robert A. MMaterial type: TextTextPublisher: [S.l.] : The Monacelli Press, 2013Description: 272 p. ; 33 cmISBN: 1580933548 (hardcover); 9781580933544 (hardcover)Subject(s): Architecture | Germany--Berlin | National socialism and architecture | Speer, Albert, 1905-1981 | Themes, motivesDDC classification: 720.924 LOC classification: NA1088.S56Online resources: Amazon.com Summary: Architect Léon Krier asks, “Can a war criminal be a great artist?” Speer, Adolf Hitler's architect of choice, happens to be responsible for one of the boldest architectural and urban oeuvres of modern times. First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet is is simultaneously much more: a philosophical rumination on art and politics, good and evil. With aid from a new introduction by influential American architect Robert A. M. Stern, Krier candidly confronts the great difficulty of disentangling the architecture and urbanism of Albert Speer from its political intentions. Krier bases his study on interviews with Speer just before his death. The projects presented center on his plan for Berlin, an unprecedented modernization of the city intended to be the capital of Europe.
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Item type Current location Home library Call number Status Date due Barcode Item holds
Book Book School of Art Design and Architecture (SADA)
School of Art Design and Architecture (SADA)
720.924 KRI 2013 (Browse shelf) Available SADA0002243
Total holds: 0

Architect Léon Krier asks, “Can a war criminal be a great artist?” Speer, Adolf Hitler's architect of choice, happens to be responsible for one of the boldest architectural and urban oeuvres of modern times. First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet is is simultaneously much more: a philosophical rumination on art and politics, good and evil. With aid from a new introduction by influential American architect Robert A. M. Stern, Krier candidly confronts the great difficulty of disentangling the architecture and urbanism of Albert Speer from its political intentions. Krier bases his study on interviews with Speer just before his death. The projects presented center on his plan for Berlin, an unprecedented modernization of the city intended to be the capital of Europe.

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