Lateness / Peter Eisenman with Elisa Iturbe.

By: Eisenman, Peter, 1932- [author.]Contributor(s): Iturbe, Elisa [author.]Material type: TextTextSeries: Point (Princeton, N.J.): Publisher: Princeton : Princeton University Press, [2020]Description: viii, 108 pages : illustrations ; 20 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780691147222Subject(s): Loos, Adolf, 1870-1933 -- Criticism and interpretation | Rossi, Aldo, 1931-1997 -- Criticism and interpretation | Hejduk, John, 1929-2000 -- Criticism and interpretation | Architecture, Modern | Space and time | Architecture, Modern | Space and time | Architecture | Modernité | 20e siècleDDC classification: 724 LOC classification: NA500 | .E39 2020Other classification: 21.60
Contents:
Series editor's preface / Sarah Whiting -- Introduction -- Lateness : Toward a definition -- Lateness in the twentieth century -- Adolf Loos -- Aldo Rossi -- John Hejduk -- Conclusion -- Acknowledgments -- Notes.
Summary: "Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. 'Lateness' explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times" - lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs : Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment. Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, 'Lateness' demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis."--taken from back cover.
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Item type Current location Home library Call number Status Date due Barcode Item holds
Book Book School of Art Design and Architecture (SADA)
School of Art Design and Architecture (SADA)
724 EIS 2020 (Browse shelf) Available SADA0002950
Total holds: 0

Includes bibliographical references.

Series editor's preface / Sarah Whiting -- Introduction -- Lateness : Toward a definition -- Lateness in the twentieth century -- Adolf Loos -- Aldo Rossi -- John Hejduk -- Conclusion -- Acknowledgments -- Notes.

"Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. 'Lateness' explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times" - lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs : Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment. Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, 'Lateness' demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis."--taken from back cover.

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