Building a new New World : Amerikanizm in Russian architecture / Jean-Louis Cohen ; translated by Luba Markovskaia.

By: Cohen, Jean-Louis [author.]Contributor(s): Markovskaia, Luba [translator.] | Centre canadien d'architecture [issuing body,, host institution.]Material type: TextTextLanguage: English Original language: French Publisher: Montréal, Québec : Canadian Centre for Architecture, [2020]Description: 544 pages : illustrations (some color) ; 24 cmContent type: text | still image Media type: unmediated Carrier type: volumeUniform titles: Construire un nouveau Nouveau Monde. English Related works: Translation of: Cohen, Jean-Louis. Construire un nouveau Nouveau MondeSubject(s): Architecture -- Soviet Union -- American influences -- Exhibitions | Architecture and society -- Soviet Union -- Exhibitions | Architecture -- Soviet Union -- Exhibitions | Architecture | Architecture -- American influences | Soviet UnionGenre/Form: Exhibition catalogs. | Exhibition catalogs. | History. DDC classification: 720.9470 LOC classification: NA1188 | .C6413 2020Other classification: cci1icc
Contents:
Introduction -- Czarist Russia and its Americas -- Taylorism and Fordism for the Soviet industrial development -- Avant-garde Amerikanizms -- Architectural Amerikanizm in the early phase of Stalinism -- War and peace : from Alliance to competition -- Krushchev and his successors : reaching, surpassing, and forgetting America -- Index and credits
Summary: "An essential exploration of how Russian ideas about the United States shaped architecture and urban design from the czarist era to the fall of the U.S.S.R. Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. Jean-Louis Cohen traces the powerful concept of "Amerikanizm" and its impact on Russia's built environment from early czarist interest in Revolutionary America, through the spectacular World's Fairs of the 19th century, to department stores, skyscrapers, and factories built in Russia using American methods during the 20th century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, following a period of strategic competition. This first major study of Amerikanizm in the architecture of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics." -- Provided by publisher.
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Book Book School of Art Design and Architecture (SADA)
School of Art Design and Architecture (SADA)
720.9470 COH 2020 (Browse shelf) Available SADA0002953
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Catalogue of an exhibition presented at the Canadian Centre for Architecture.

"This volume is published by the Canadian Center for Architecture and Yale University Press in conjunction with the exhibition of the same title, organized by and preseneted at the CCA from 12 November 2019 to 5 April 2020" -- Colophon.

Includes bibliographical references and indexes.

Introduction -- Czarist Russia and its Americas -- Taylorism and Fordism for the Soviet industrial development -- Avant-garde Amerikanizms -- Architectural Amerikanizm in the early phase of Stalinism -- War and peace : from Alliance to competition -- Krushchev and his successors : reaching, surpassing, and forgetting America -- Index and credits

"An essential exploration of how Russian ideas about the United States shaped architecture and urban design from the czarist era to the fall of the U.S.S.R. Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. Jean-Louis Cohen traces the powerful concept of "Amerikanizm" and its impact on Russia's built environment from early czarist interest in Revolutionary America, through the spectacular World's Fairs of the 19th century, to department stores, skyscrapers, and factories built in Russia using American methods during the 20th century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, following a period of strategic competition. This first major study of Amerikanizm in the architecture of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics." -- Provided by publisher.

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